Mediterranean Bites and Delights
Come make a little creepie! In this workshop, we will start with a few boards and wield a few tools to make your very own Irish low stool (also known as a creepie). This workshop is designed to introduce even the novice or never have touched tools beginner to hand-tooled woodworking. We will discuss wood as a medium, how to get started, the foundational tools to help you make, and some fundamentals of traditional woodworking. Come for wood puns, sawdust, and to make your own kind of creepie. All tools and materials will be provided, all you need is an open mind and good humor.
A note from Jean-Philipe:
My journey into furniture didn’t start with wood – it began with simply a desire to make. As a kid, figuring out how pieces went together kept me whole. From resurrecting a wooden go-kart to making replica Lord of the Rings attire (down to the ring which I forged on a camp stove in the back yard). I even managed to erect an (unsanctioned) multi-story treehouse in the forest behind my house. However, life took me in different directions along the way, and I lost touch with my creative voice.
That spark rekindled during my time working in conservation and outdoor education. High up on mountains and without power tools, I was tasked with building rock steps and wooden bridges using only the tools carried in backpacks and the materials found in the landscape. This hands-on approach to making things reignited my passion for craftsmanship. It led me to hand-tooled woodworking, exploring techniques that predate electricity, and discovering the incredible things we as humans can create.
Later, as fatherhood was imminent, I dove into making wooden items for my soon to be daughter, including her crib. This project—filled with love, dedication, and countless lessons learned—solidified my commitment to furniture making. I realized that the joy of creating for others was what made this craft so special to me. It also made me understand I have so much more yet to learn, so I closed out a career and enrolled back in school at the Chippendale International School of Furniture in Scotland.
In my work, I value the intimate relationship that develops between the maker and the piece. I embrace the mistakes, cherish the lessons, and find beauty in the process. You’ll still find me picking up a plane more than a router and reaching for a handsaw over a power driven one. I am dedicated to good, honest work, taking pride in what I create with my own two hands. This commitment extends beyond the workshop. It’s deeply rooted in my connection to the Flagstaff community, where I grew up, met my spouse, and welcomed my child into the world.
With that, I’m back in Northern Arizona after studying furniture design, cabinet making, and restoration in Scotland. I’m still working by hand where it counts and plugging in everything else. I’m excited to build my passion into something meaningful, and I’m grateful for the opportunity to share it with you.
Maija Fiebig is known for her highly detailed, atmospheric paintings of abstracted plant forms and patterns. She has recently expanded into new dimensions with sculptural textiles. Working with thread, roving, and yarn, Maija creates unexpected spherical forms—poms—that feel like small planets unto themselves. Her embroidered panels feature the exacting detail of her painting style, but performed in delicate bead, sequin and thread.
Born in Seattle, Washington, Maija has exhibited nationally in Los Angeles, New York, Portland, and Seattle. Her work is institutionally collected (Microsoft & Harborview), and she is the recipient of multiple fellowships and residencies including Vermont Studio Center and is the recipient of the Professional Edge Award. She splits her time making work from her home in the Pacific Northwest, on the road, and sometimes in a small inflatable boat.
Casey Teseny ~Diné (Navajo)~
is a potter, weaver, and artist/creator.
He makes land based artist within the heart of Navajo Nation
Roy Kady Artist Statemen
t:
Hello I am Roy Kady and I passionately weave and create with natural fibers to center myself in the cosmos of the universe. My ancestors, grandparents, and my Shimá (Mother) shared with me many stories that weaving was gifted to us in the creation world by Spider Man, by taking the natural elements of the universe to construct the first loom and then teaching his counterpart Spider Woman about weaving a web of life. I raise a very special breed of Navajo Churro sheep that was also gifted to us in the underworld, they have long dual fibers that is very suitable for the fiber arts that I pursue, whether it be a utilitarian wearable/or an Art décor for the collector. My designs are inspired by my natural surroundings; whether it is color/colors for my palate, natural fibers of the world, or stories that I have heard from the past/present. I hand process all of the natural fibers that I create with, and I grow several fibers to include in my Art as well. I also gather plants and vegetal dye my fibers to create one of a kind woven pieces. Thus my creations represent my heritage; traditions and the ever evolving Art of Navajo Weaving that is consider one of the last primitive processes that are still created by hand. I remember well, sitting by my grandparents and watching them work with natural fibers, which were my first inspirations of someday becoming a Fiber Artist, and wanting to learn the many beautiful processes of working with natural fibers, using our natural surroundings, thus I have been weaving since the age of 9 years old.
Scott Woodruff Artist Biography
By day I am an architect and have been working in the Salt Lake City area since 2005. My work has covered quite a variety of projects that include adaptive reuse and remodeling (City Creek Center), Historic Renovation and restoration (Laie Hawaii temple, Joseph Smith Memorial Building), to signature religious destination projects (Kansas City Temple, Hartford Connecticut Temple). My art work accompanies me on this journey as well as departs from it. I love the built environment and seeing it on paper tells a story. the more story of a building history – the stronger a connection I feel with it and hence – put it to paper.
Joanie Grant, co-owner of Momentum Aerial, founded the studio seven years ago alongside Morgan Louvier. Their studio has grown to teach over 400 students with 23 staff members, and they recently joined the American Circus Educators Association.